{"id":2544,"date":"2025-03-15T18:50:00","date_gmt":"2025-03-15T17:50:00","guid":{"rendered":"https:\/\/vincent.dezeuze.com\/?p=2544"},"modified":"2026-02-03T19:15:28","modified_gmt":"2026-02-03T18:15:28","slug":"journee-detude-la-gravure-contemporaine-19-mars-2025","status":"publish","type":"post","link":"https:\/\/vincent.dezeuze.com\/index.php\/2025\/03\/15\/journee-detude-la-gravure-contemporaine-19-mars-2025\/","title":{"rendered":"La Gravure contemporaine 19 mars 2025"},"content":{"rendered":"\n[et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<p>Universit\u00e9 de Montpellier Paul-Val\u00e9ry, Site Saint-Charles 2, Salle des Actes &#8211; 009<br \/>&amp; Maison de la Gravure M\u00e9diterran\u00e9e \u2013 Centre de la gravure plurielle en Occitanie<\/p>\n<p>Avec les soutiens du Laboratoire RIRRA 21, du D\u00e9partement Arts plastiques et de l\u2019UFR 1 de l\u2019Universit\u00e9 de Montpellier Paul-Val\u00e9ry<br \/>&amp; le partenariat de la Maison de la Gravure M\u00e9diterran\u00e9e \u2013 Centre de la gravure plurielle en Occitanie<\/p>\n<p>&nbsp;<\/p>\n<p>Alors que la gravure a souvent souffert dans son appr\u00e9hension d\u2019une approche consid\u00e9r\u00e9e m\u00e9canique, sinon compl\u00e8tement d\u00e9sincarn\u00e9e, au motif qu\u2019elle est historiquement rattach\u00e9e au multiple et \u00e0 un proc\u00e9d\u00e9 technique de reproduction, c\u2019est en reconsid\u00e9rant \u00e0 l\u2019inverse ce qu\u2019elle supporte d\u2019artisanal et d\u2019artistique que cette journ\u00e9e entend discuter de sa port\u00e9e aujourd\u2019hui, reconsid\u00e9rant par l\u00e0 m\u00eame sa mat\u00e9rialit\u00e9 et la facture singuli\u00e8re qu\u2019elle peut imprimer en son sein. Sous cet angle, plusieurs axes et probl\u00e9matiques encadreront la journ\u00e9e, sondant particuli\u00e8rement la relation a priori antagoniste du travail manuel confront\u00e9 \u00e0 l\u2019outil m\u00e9canique, la r\u00e9sistance technique qu\u2019imprime le travail du corps vis-\u00e0-vis de l\u2019\u00e9preuve finalement obtenue, comme le statut de \u00ab belle \u00e9preuve \u00bb face \u00e0 la reproductibilit\u00e9 technique \u2013 et num\u00e9rique \u2013 de l\u2019\u0153uvre d\u2019art \u00e0 notre \u00e9poque contemporaine. Ces questionnements auront donc pour objectif de discuter les dynamiques qui infl\u00e9chissent le processus de cr\u00e9ation lorsque celui-ci se voit confront\u00e9 au mat\u00e9riau, au geste et \u00e0 la pens\u00e9e de l\u2019artiste. Mais, au-del\u00e0 des r\u00e9flexions portant sp\u00e9cifiquement sur l\u2019atelier et ses pratiques, cette occasion permettra \u00e9galement d\u2019interroger dans une plus large port\u00e9e le statut que l\u2019on peut r\u00e9server \u00e0 une technique artistique qui, \u00e0 l\u2019\u00e9poque de la m\u00e9canisation de l&rsquo;\u0153uvre, de la d\u00e9mat\u00e9rialisation de l\u2019art et, plus encore, de la surabondance de l\u2019\u00ab image \u00bb, peut se proposer comme une contre-\u00e9preuve sensible \u00e0 rebours des id\u00e9ologies et discours dominants de notre soci\u00e9t\u00e9.<\/p>\n<p>https:\/\/rirra21.www.univ-montp3.fr\/fr\/evenements\/la-gravure-contemporaine<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>Journ\u00e9e d\u2019\u00e9tude \u00abLa Gravure contemporaine\u00bb \u00e0 Universit\u00e9 de Montpellier Paul-Val\u00e9ry<\/p>\n","protected":false},"author":2,"featured_media":2551,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[2],"tags":[],"class_list":["post-2544","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/posts\/2544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/comments?post=2544"}],"version-history":[{"count":5,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/posts\/2544\/revisions"}],"predecessor-version":[{"id":2552,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/posts\/2544\/revisions\/2552"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/media\/2551"}],"wp:attachment":[{"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/media?parent=2544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/categories?post=2544"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/tags?post=2544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}