{"id":734,"date":"2019-02-24T12:01:29","date_gmt":"2019-02-24T11:01:29","guid":{"rendered":"http:\/\/vincentdezeuze.neowp.fr\/?page_id=734"},"modified":"2024-08-16T19:03:17","modified_gmt":"2024-08-16T17:03:17","slug":"sur-la-route","status":"publish","type":"page","link":"https:\/\/vincent.dezeuze.com\/index.php\/sur-la-route\/","title":{"rendered":"Sur la route 1990-2000"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2&Prime; admin_label=\u00a0\u00bbrow\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2&Prime; _builder_version=\u00a0\u00bb4.16&Prime; custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.0&Prime; text_font=\u00a0\u00bb||||||||\u00a0\u00bb quote_font=\u00a0\u00bb||||||||\u00a0\u00bb max_width=\u00a0\u00bb98%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: justify;\">Sur la route<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">La mobilit\u00e9 est devenue une n\u00e9cessit\u00e9, et le d\u00e9placement banal. Les voyageurs que nous sommes ne s\u2019aper\u00e7oivent m\u00eame plus qu\u2019ils voyagent.<\/p>\n<p style=\"text-align: justify;\">Nous devrions regarder diff\u00e9remment tous ces lieux qui nous traversent lorsque nous roulons. Notre microcosme immobile de voyageur est projet\u00e9 dans un univers en perp\u00e9tuel recommencement. La vitesse modifie la perception de l\u2019oeil. Dans les grands espaces format 16\/9, la r\u00e9tine fixe un point central net, laissant les bords flous, dilu\u00e9s dans l\u2019esprit de la vitesse.<\/p>\n<p style=\"text-align: justify;\">D\u2019une mani\u00e8re identique, les perceptions lat\u00e9rales sont extr\u00eamement rapides et l\u2019on en conservera uniquement les \u00e9l\u00e9ments essentiels. Les autres d\u00e9tails sont gomm\u00e9s comme dans un lavis.<\/p>\n<p style=\"text-align: justify;\">Le d\u00e9filement constant des images transporte l\u2019esprit dans un monde plus flou, plus onirique. Il cr\u00e9e ses propres paysages, la fiction se superpose \u00e0 la r\u00e9alit\u00e9.<\/p>\n<p style=\"text-align: justify;\">Les gravures pr\u00e9sentent un paysage imprim\u00e9 sur un \u00e9l\u00e9ment m\u00e9canique, produit de la technique. Le m\u00e9lange des diff\u00e9rents papiers cr\u00e9e d\u2019autres espaces poss\u00e9dant leur propre profondeur de champ.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2&Prime; _builder_version=\u00a0\u00bb4.16&Prime; custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttp:\/\/vincent.dezeuze.com\/wp-content\/uploads\/2024\/07\/90degrescmnj-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bb90degrescmnj\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb align_tablet=\u00a0\u00bbcenter\u00a0\u00bb align_phone=\u00a0\u00bbcenter\u00a0\u00bb align_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0&Prime; max_width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb|||8px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb8px||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: center\">CH\u00c2SSIS 90\u00b0 1990, 105x75cm.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.16&Prime; min_height=\u00a0\u00bb260.7px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb1138,1136,1135,1137&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_testimonial author=\u00a0\u00bbMichel Flandrin 1999&Prime; portrait_width=\u00a0\u00bb0px\u00a0\u00bb portrait_height=\u00a0\u00bb0px\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb28px||\u00a0\u00bb border_radii_portrait=\u00a0\u00bbon|0px|0px|0px|0px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p>Un certain anticonformisme anime les grands formats de Vincent Dezeuze. Pour traduire ses impressions de voyages, le Montpelli\u00e9rain utilise la gravure qui n\u2019est plus un simple moyen de reproduction mais un v\u00e9ritable vecteur d\u2019expression.<br \/> Dezeuze pratique la taille douce sur bois duquel il souligne les noeuds et rainures. De v\u00e9ritables Paysages se distinguent de compositions qui privil\u00e9gient le geste et la nature.<\/p>\n<p>[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2&Prime; _builder_version=\u00a0\u00bb4.27.0&Prime; custom_margin=\u00a0\u00bb0px||\u00a0\u00bb custom_padding=\u00a0\u00bb0px||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2&Prime; _builder_version=\u00a0\u00bb4.16&Prime; custom_padding=\u00a0\u00bb0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb1657,1153,1684,1683,1682&Prime; fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; caption_text_align=\u00a0\u00bbcenter\u00a0\u00bb auto=\u00a0\u00bbon\u00a0\u00bb auto_speed=\u00a0\u00bb5000&Prime; hover_transition_duration=\u00a0\u00bb0ms\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_testimonial author=\u00a0\u00bbDon Delillo\u00a0\u00bb portrait_width=\u00a0\u00bb0px\u00a0\u00bb portrait_height=\u00a0\u00bb0px\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; body_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_margin=\u00a0\u00bb28px||\u00a0\u00bb border_radii_portrait=\u00a0\u00bbon|0px|0px|0px|0px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p>Cette nuit-l\u00e0, apr\u00e8s le film, je roulai sur les routes de campagne dans la voiture de mon p\u00e8re, en commen\u00e7ant \u00e0 me demander quelle \u00e9tait la r\u00e9alit\u00e9 du paysage, et quelle partie d\u2019un r\u00eave est vraiment un r\u00eave.<\/p>\n<p>[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2&Prime; _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb2214,2215,2216,2217&Prime; fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb animation_style=\u00a0\u00bbfade\u00a0\u00bb auto=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.0&Prime; custom_margin=\u00a0\u00bb8px||\u00a0\u00bb hover_transition_delay=\u00a0\u00bb50ms\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: center;\">S\u00e9rie NOCTURNE 1990, 40x30cm.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||-51px||false|false\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;][et_pb_row _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_column _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb type=\u00a0\u00bb4_4&Prime; theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||-50px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||||false|false\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;]<\/p>\n<p>Paysage nocturne 1 1999, 75&#215;105 cm.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_fullwidth_image src=\u00a0\u00bbhttp:\/\/vincent.dezeuze.com\/wp-content\/uploads\/2024\/08\/paysage-noct1.jpg\u00a0\u00bb title_text=\u00a0\u00bbpaysage-nocturne 1&Prime; _builder_version=\u00a0\u00bb4.27.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0&Prime;][\/et_pb_fullwidth_image][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sur la route La mobilit\u00e9 est devenue une n\u00e9cessit\u00e9, et le d\u00e9placement banal. Les voyageurs que nous sommes ne s\u2019aper\u00e7oivent m\u00eame plus qu\u2019ils voyagent. Nous devrions regarder diff\u00e9remment tous ces lieux qui nous traversent lorsque nous roulons. Notre microcosme immobile de voyageur est projet\u00e9 dans un univers en perp\u00e9tuel recommencement. La vitesse modifie la perception [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"Contenu sur la route","_et_gb_content_width":"","footnotes":""},"class_list":["post-734","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/pages\/734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/comments?post=734"}],"version-history":[{"count":10,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/pages\/734\/revisions"}],"predecessor-version":[{"id":2516,"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/pages\/734\/revisions\/2516"}],"wp:attachment":[{"href":"https:\/\/vincent.dezeuze.com\/index.php\/wp-json\/wp\/v2\/media?parent=734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}